Imagery In Cry, The Beloved Country By Alan Paton - 768 Words

Stylistic prose technique 1: IMAGERY Imagery is used by authors who wish to give the readers a physical feeling of literature while reading any sort of piece. It allows for the audience to connect to the characters on a deeper level by having them experience the same feelings, smells, noises, etc, as did the roles in the novel. Alan Paton uses a strong voice packed with imagery in his passage, â€Å"For they grow red and bare; they cannot hold the rain and mist, and the streams are dry in the kloofs. Too many cattle feed upon the grass, and too many fires have burned it. Stand shod upon it, for it is coarse and sharp, and the stones cut under the feet. It is not kept or guarded, or cared for, it no longer keeps men, guards men, cares for men†Ã¢â‚¬ ¦show more content†¦Stylistic prose technique 3: LOGOS Logos is a stylistic prose technique in which the author deepens the meaning of a text by using logic and reason to fully grasp the reasoning for a characters actions. Steph en Kumalo’s inquiry as to why he had not written to Ndotsheni after so many years, John uses logos in his answer by explaining, â€Å"Down in Ndotsheni I am nobody,even as you are nobody, my brother. I am subject to the chief, who is an ignorant man. I must salute him and bow to him, but he is an uneducated man. Here in Johannesburg I am a man of some important, of some influence. I have my own business, and when it is good, I can make ten, twelve pounds a week† (Paton, 66). The method of adding such blatant information in order to make a case in Johns defense allowed Paton to create a mutual understanding between the two brothers, while also giving his readers a closer look as to the motives for John’s lack of communication. John also goes on to compare the chief as a puppet for the white man’s personal gain, giving even more explanation to his distant behavior. Stylistic prose technique 4: MOTIF Used in novels to express an ongoing and or repetitive idea, motifs help authors who wish to emphasize a main topic or concern. One main motif that predominately stood out in Cry, The Beloved Country was how Johannesburg was a bustling hub of people, energy, and economics whichShow MoreRelatedWilliam Faulker And Cry, The Beloved Country, By Alan Paton1632 Words   |  7 Pagesthe two novels As I Lay Dying, by William Faulker and Cry, the Beloved Country, by Alan Paton. One comparable aspect that can be found in both novels is the many similar themes explored throughout both novels. Many of these themes are prominent throughout literature. When comparing identical themes from two diverse authors, one can understand and appreciate these differences and similarities. Although these themes are commonly discussed, Paton and Faulkner have distinct methods in which the messagesRead MoreThe Meaning of the Title, Cry, the Beloved Country Essay1007 Words   |  5 PagesThe 1940 set in time book, Cry, the Beloved Country’s title by Alan Paton have intrigued yet perplexed readers over the years. The title itself has several meanings especially to the different readers and their understanding of it. The title not only expresses the importance but also plays a role in capturing the concept of the book. The reason why the title is significant because in one line it demonstrates the depth of the conflict between the people and their country, though the use of style inRead MoreCry, The Beloved Country1710 Words   |  7 Pages Alan Paton’s Cry, the Beloved Country takes place during the late 1940’s in Southern Africa. Specifically, in High Place, Ndotsheni, and Johannesburg. It takes place during a time of social change. 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This story, set in South Africa, is about howRead More New Criticism of Cry, the Beloved Country Essay988 Words   |  4 PagesNew Criticism of Cry, the Beloved Country   Ã‚  Ã‚  Ã‚   Cry, the Beloved Country, by Alan Paton can be effectively analyzed using the theory of New Criticism. When beginning to look at the text one must remember not to any attempt to look at the author’s relationship to the work, which is called intentional fallacy or make any attempt to look at the reader’s response to the work, which is called the affective fallacy. First, the central theme of the book must be recognized. In this book the central